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	<title>artdoc</title>
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	<pubDate>Sun, 09 Feb 2025 02:03:43 +0000</pubDate>
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		<title>Home</title>
				
		<link>https://artdoc.com.au/Home</link>

		<pubDate>Wed, 05 Oct 2022 02:50:13 +0000</pubDate>

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		<title>Case Study: Grad Show</title>
				
		<link>https://artdoc.com.au/Case-Study-Grad-Show</link>

		<pubDate>Sun, 09 Feb 2025 02:03:43 +0000</pubDate>

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Case Study: Grad Show ––

















The end of year Graduate Exhibition is an important milestone in the career of a visual artist. 


I remember the lead up to my undergraduate show –– a blur of nerves and anticipation as I installed the project that has consumed almost 12 months of my life (mental, emotional and physical). For most students, it is the first time artworks are shared with the public. With regards to art, it might be the first time one declares: this is me.


I have shared this landmark with students over the past few years, a decade or so after my own Honours graduate exhibition. Documenting this event is a big job, kinda like 25-30 individual solo exhibitions in one location, at one time. The window to capture everything is narrow and sticking to the run sheet is crucial especially when taking portraits.


The result of this shoot is a starter pack for each emerging artist –– a portfolio of images, a headshot and portrait with their work –– ready for a future opportunities. These images might be used on a new website or instagram profile, for a residency or exhibition application, support material for a grant proposal, or as part of the bio in an upcoming publication. In my own experience as an artist, having shots of recent work and a portrait or two on hand is key to securing the next big thing. It may sound daggy but this documentation is also a great time capsule, a record of an artist’s journey. 


As the photographer, this interaction is an opportunity to meet the next generation of artists. To spend time with their work, see the new themes, ideas and perspectives emerging, and get to know the people behind the art. For me it is also the start of a longer conversation as I continue to document an artist’s work into the future, and in some cases the beginning of a creative relationship –– previous undergrads have featured in recent curatorial projects. 


With the project wrapped up for another year, I look forward to meeting the next wave of artists to come through!











	


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Credits/subjects in order of appearance: Mim Kowner, Ella Van Leeuwen, Tessa MacKay, Sam Caceres, Nicole Steenhof, Mackenzie Constantine,&#38;nbsp;Josephine Johnson,&#38;nbsp;Nicole Steenhof,&#38;nbsp;Lawrence Vincent, Bethan Power,&#38;nbsp;Issy Otto, and Grace Yong. </description>
		
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		<title>Work with me</title>
				
		<link>https://artdoc.com.au/Work-with-me-1</link>

		<pubDate>Tue, 04 Oct 2022 07:26:57 +0000</pubDate>

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Work with me –––


Each project is different –– scale, budget, requirements. Whether it is just one artwork, a small ARI show or multi-exhibition institution, we can work something out. 

Get in touch, I’d love to hear about your work and what you want to capture. Also if you are prepping for a future project, check in early. Sometimes getting a number in the budget is helpful for everyone and I can write a quote if you are looking to get funding.︎︎︎ ︎
 




	




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About me –––




Hey! My name is Dan and I am a visual artist based in Meanjin / Brisbane.



I first started photographing my own artwork back at uni in the late naughties, which quickly turned into photographing my friends work, and shortly after that capturing the exhibitions of the ARIs I was involved with. That was a while ago though, the tech has changed and so has the scale. Since then I have shot a range of artwork –– paintings, prints, sculptures, video, light works, textiles, and installations –– in different contexts –– white wall galleries, shopping centre basements, hotel rooms, artist run initiatives (ARI), heritage buildings, libraries and saunas –– with different clients –– artists, collectives, curators, directors and corporates. This has even led to photo-doc inspiring my own art project! &#38;nbsp;



I have over 15 years experience as an art handler and installer working with local, national and international artists both on the east and west coast at a range of different state and university institutions, corporate collections, commercial galleries, festivals and ARIs. Taking care when handling, moving and installing art is something I take very seriously, after all most works are irreplaceable regardless of the price tag.

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		<title>Thoughts on Photography</title>
				
		<link>https://artdoc.com.au/Thoughts-on-Photography</link>

		<pubDate>Tue, 06 Sep 2022 10:10:44 +0000</pubDate>

		<dc:creator>artdoc</dc:creator>

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&#60;img width="1669" height="2500" width_o="1669" height_o="2500" data-src="https://freight.cargo.site/t/original/i/741293abaa1c751176909ec6308d65e437480a8cf83a34bf609eb54636e27692/Wedgwood_13_web.JPG" data-mid="206745792" border="0" data-scale="74" src="https://freight.cargo.site/w/1000/i/741293abaa1c751176909ec6308d65e437480a8cf83a34bf609eb54636e27692/Wedgwood_13_web.JPG" /&#62;

Thoughts on Photography ––
















For me my artwork isn’t finished until it is photographed. There’s something about distilling the essence of a work, the sharpest most clean version of it that sets me at ease (whatever floats your boat hey). A strong, balanced image that sets detail in a solid composition is what I strive for. Although it is never as good as the real thing, a popping image can capture someones attention and makes them want to know more –– whether it is in an application, shared on social media or printed on a poster. 



Objectively documenting a project in its exhibition space or environment is the foundation, an archive of what was there, the exhibition design and how it sits in the space. From that point I like to move in, play with shapes, lines, patterns and architecture to not only capture the intricate details of the work itself, but its dialogue with the space it is in. This is where working with the artist or curator really enhances the process, after all they know it best.








	
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	<item>
		<title>Recent Projects</title>
				
		<link>https://artdoc.com.au/Recent-Projects</link>

		<pubDate>Tue, 04 Oct 2022 05:55:36 +0000</pubDate>

		<dc:creator>artdoc</dc:creator>

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	Recent Projects ––

	




Robert Fielding
KINARA MUNU TJINTU (MOON AND SUN)
John Curtin Gallery







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	Mayma Awaida &#38;amp; Emilie Monty

The Longest Echo
Goolugatup Heathcote

&#60;img width="2500" height="1668" width_o="2500" height_o="1668" data-src="https://freight.cargo.site/t/original/i/9778a9b6901f69b800f41b732c0824a42ccd3ceb5717d80f23f7c3b2db4d6cfe/The-Longest-Echo_01_web.JPG" data-mid="206745866" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/9778a9b6901f69b800f41b732c0824a42ccd3ceb5717d80f23f7c3b2db4d6cfe/The-Longest-Echo_01_web.JPG" /&#62;
&#60;img width="2500" height="1827" width_o="2500" height_o="1827" data-src="https://freight.cargo.site/t/original/i/8f61ec6d41b257d17bbf8bce87f3bf96060cb55a05fd444bf37d7c1d1f8fe49f/The-Longest-Echo_05_web.JPG" data-mid="206745867" border="0" data-scale="93" src="https://freight.cargo.site/w/1000/i/8f61ec6d41b257d17bbf8bce87f3bf96060cb55a05fd444bf37d7c1d1f8fe49f/The-Longest-Echo_05_web.JPG" /&#62;

	&#60;img width="1669" height="2500" width_o="1669" height_o="2500" data-src="https://freight.cargo.site/t/original/i/2ecb9d1c2a07508b01352362f91cad20f237b3e0c9f8bf6d633d36ae80944383/The-Longest-Echo_12_web.JPG" data-mid="206745868" border="0" data-scale="61" src="https://freight.cargo.site/w/1000/i/2ecb9d1c2a07508b01352362f91cad20f237b3e0c9f8bf6d633d36ae80944383/The-Longest-Echo_12_web.JPG" /&#62;




	Wesfarmers

Recent acquistions


&#60;img width="2500" height="1682" width_o="2500" height_o="1682" data-src="https://freight.cargo.site/t/original/i/362900f1e7f6efdb03289a7ed9d522fccbc22fa020f6406a78f2c70465ccf898/Photography-by-Dan-McCabe_05_Web.JPG" data-mid="154890723" border="0"  src="https://freight.cargo.site/w/1000/i/362900f1e7f6efdb03289a7ed9d522fccbc22fa020f6406a78f2c70465ccf898/Photography-by-Dan-McCabe_05_Web.JPG" /&#62;


	
&#60;img width="2500" height="1679" width_o="2500" height_o="1679" data-src="https://freight.cargo.site/t/original/i/6f6f15b378891e8b9a2a56f9621cdc83fbed1106af2c50855636f8926d4b5ff6/Photography-by-Dan-McCabe_03_Web.JPG" data-mid="154780220" border="0" data-scale="72" alt="Robert Fielding" data-caption="Robert Fielding" src="https://freight.cargo.site/w/1000/i/6f6f15b378891e8b9a2a56f9621cdc83fbed1106af2c50855636f8926d4b5ff6/Photography-by-Dan-McCabe_03_Web.JPG" /&#62;


&#60;img width="2500" height="1681" width_o="2500" height_o="1681" data-src="https://freight.cargo.site/t/original/i/3b2ce33caff5cf04dbf09f03a80c51eef61ae67fb33a353931b7dd7d2f47de94/Photography-by-Dan-McCabe_04_Web.JPG" data-mid="154780221" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/3b2ce33caff5cf04dbf09f03a80c51eef61ae67fb33a353931b7dd7d2f47de94/Photography-by-Dan-McCabe_04_Web.JPG" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Credits</title>
				
		<link>https://artdoc.com.au/Credits</link>

		<pubDate>Thu, 06 Oct 2022 01:37:41 +0000</pubDate>

		<dc:creator>artdoc</dc:creator>

		<guid isPermaLink="true">https://artdoc.com.au/Credits</guid>

		<description>
	


	Like what you see?
Yeah, but like the art.



	&#60;img width="2500" height="1668" width_o="2500" height_o="1668" data-src="https://freight.cargo.site/t/original/i/e8c72f6a4db618b47cccb41df7222b85485792e35795727b5da86594ed2b3ccb/Life-in-the-third-person_17_web.JPG" data-mid="226514810" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/e8c72f6a4db618b47cccb41df7222b85485792e35795727b5da86594ed2b3ccb/Life-in-the-third-person_17_web.JPG" /&#62;
	Julia Gutman in life in the third person at AGWA, 2024.

	&#60;img width="2500" height="1668" width_o="2500" height_o="1668" data-src="https://freight.cargo.site/t/original/i/32596d9b7557e607f050b926e776438fb88619fb63a4403fa44a99bf6520c770/Look-Look_46_web.JPG" data-mid="232869257" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/32596d9b7557e607f050b926e776438fb88619fb63a4403fa44a99bf6520c770/Look-Look_46_web.JPG" /&#62;
	Anna Park in Look, look. Anna Park at AGWA, 2024.

	&#60;img width="2500" height="1668" width_o="2500" height_o="1668" data-src="https://freight.cargo.site/t/original/i/c2ebe7b7a05e50df16a8162e5183b6972b6bae9428d3bc561a5279ba1d279e4d/When-I-am-not-there_25_web.JPG" data-mid="232869365" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/c2ebe7b7a05e50df16a8162e5183b6972b6bae9428d3bc561a5279ba1d279e4d/When-I-am-not-there_25_web.JPG" /&#62;
	Shelley Lasica in WHEN I AM NOT THERE at PICA, 2024.

	&#60;img width="2500" height="1669" width_o="2500" height_o="1669" data-src="https://freight.cargo.site/t/original/i/59f224363738c8a10b79b471fcd75df27f63ac6cf924c7cba65e2279ad8397f9/LiftLore_03_web.JPG" data-mid="232869364" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/59f224363738c8a10b79b471fcd75df27f63ac6cf924c7cba65e2279ad8397f9/LiftLore_03_web.JPG" /&#62;
	Tim Meakins in Liftlore (Folklore) at Goolugatup/Heathcote, 2023.

	&#60;img width="2500" height="1668" width_o="2500" height_o="1668" data-src="https://freight.cargo.site/t/original/i/663ad33f41b9a7c9269ec893e2f66ac2b976dd800ef3afe91e41fc1f7a530ba2/Death-Metal-Summer_20_web.JPG" data-mid="232869382" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/663ad33f41b9a7c9269ec893e2f66ac2b976dd800ef3afe91e41fc1f7a530ba2/Death-Metal-Summer_20_web.JPG" /&#62;
	Deanna and Ed Templeton in Death Metal Summer: Deana Templeton and Ed Templeton at AGWA, 2023.

	&#60;img width="2500" height="1669" width_o="2500" height_o="1669" data-src="https://freight.cargo.site/t/original/i/c8af0debeb4a3e7f9c67702d5ae7ba50d54522e0d602db0b6cf5634799d60762/Woolstores_01_web.JPG" data-mid="232869451" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/c8af0debeb4a3e7f9c67702d5ae7ba50d54522e0d602db0b6cf5634799d60762/Woolstores_01_web.JPG" /&#62;
	Duncan Wright in Woolstores Forever at Fremantle Woolstores Warehouse, 2024.

	&#60;img width="2500" height="1668" width_o="2500" height_o="1668" data-src="https://freight.cargo.site/t/original/i/76cd0d142e38556cfa57acf2a18400686b26ea34b6fe3c1486dbfd0b0e0b5387/On-View_19_web.JPG" data-mid="232869530" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/76cd0d142e38556cfa57acf2a18400686b26ea34b6fe3c1486dbfd0b0e0b5387/On-View_19_web.JPG" /&#62;
	Rebecca Bauman in Light Event at Moore Contemporary, 2024.

	&#60;img width="4820" height="7223" width_o="4820" height_o="7223" data-src="https://freight.cargo.site/t/original/i/2cc7e5dfff6248449bd80adf582171bce7d763267675f5f0a9ff718788f07bb2/Thoughts-are-metallic_13.JPG" data-mid="232869663" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/2cc7e5dfff6248449bd80adf582171bce7d763267675f5f0a9ff718788f07bb2/Thoughts-are-metallic_13.JPG" /&#62;
	Tom Blake in thoughts are metallic they melt in salt water at Goolugatup/Heathcote, 2024.

	&#60;img width="2500" height="1668" width_o="2500" height_o="1668" data-src="https://freight.cargo.site/t/original/i/4ba8a4748c991e0484ff3d0e9e2794c1e8f500f25f9beb3efa8fbeea425bb13f/Low-Stakes_02_web.JPG" data-mid="226514867" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/4ba8a4748c991e0484ff3d0e9e2794c1e8f500f25f9beb3efa8fbeea425bb13f/Low-Stakes_02_web.JPG" /&#62;
	Han Oh, Corey Khan, Dan McCabe, Sarah Poulgrain, Loren Kronemyer, Amanda Bell, Mitchell Donaldson and Monica Rohan, and Claire and Dave Calrk-Roberthson in Low stakes at Goolugatup Heathcote, 2024.&#38;nbsp;

&#60;img width="1669" height="2500" width_o="1669" height_o="2500" data-src="https://freight.cargo.site/t/original/i/f9a2e9cbc70be35b560f9def65d36e950d8ac577fd2dd6ba784b7811c23e38e9/Between-Registers_07_web.JPG" data-mid="206746203" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/f9a2e9cbc70be35b560f9def65d36e950d8ac577fd2dd6ba784b7811c23e38e9/Between-Registers_07_web.JPG" /&#62;



	Ryan Gander in Between Registers&#38;nbsp;at Disneyland Paris, 2023.&#60;img width="1668" height="2500" width_o="1668" height_o="2500" data-src="https://freight.cargo.site/t/original/i/9ca2cb8868d6b7b966ffcf8f2f2c94005d71d31d82dcbd5ede5c8e965906ded1/Lawson-Flats_16_web.JPG" data-mid="206746234" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/9ca2cb8868d6b7b966ffcf8f2f2c94005d71d31d82dcbd5ede5c8e965906ded1/Lawson-Flats_16_web.JPG" /&#62;



	David Attwood at Lawson Flats, 2023.&#60;img width="2500" height="1668" width_o="2500" height_o="1668" data-src="https://freight.cargo.site/t/original/i/a3f103ccb6b5b3386a58c453de7e16974a22c32508e376542a7bcf714e73bb19/Sports-Dreams_32_web.JPG" data-mid="206746180" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/a3f103ccb6b5b3386a58c453de7e16974a22c32508e376542a7bcf714e73bb19/Sports-Dreams_32_web.JPG" /&#62;



	Tim Meakins in Sports Dreams at Case Frames, 2024.&#60;img width="2500" height="1668" width_o="2500" height_o="1668" data-src="https://freight.cargo.site/t/original/i/983b8056392596c11ef9e4e3aa9f50fb89290367c912df47b99129119e97f860/Sun-Signals_13_web.JPG" data-mid="206746032" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/983b8056392596c11ef9e4e3aa9f50fb89290367c912df47b99129119e97f860/Sun-Signals_13_web.JPG" /&#62;
	Joan Jonas in Sun Signals at PICA, 2024.&#60;img width="1669" height="2500" width_o="1669" height_o="2500" data-src="https://freight.cargo.site/t/original/i/741293abaa1c751176909ec6308d65e437480a8cf83a34bf609eb54636e27692/Wedgwood_13_web.JPG" data-mid="206746036" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/741293abaa1c751176909ec6308d65e437480a8cf83a34bf609eb54636e27692/Wedgwood_13_web.JPG" /&#62;
	Josiah Wedgwood ceramics for Wedgwood: Master Potter to the Universe at The David Roche Foundation, 2023.&#60;img width="1668" height="2500" width_o="1668" height_o="2500" data-src="https://freight.cargo.site/t/original/i/b235f794d5c9381b4e3372629080beacf1f8ed15d924017ce72c6c101ed9a1dd/Sam-Bloor_12_web.JPG" data-mid="206746123" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/b235f794d5c9381b4e3372629080beacf1f8ed15d924017ce72c6c101ed9a1dd/Sam-Bloor_12_web.JPG" /&#62;
	Sam Bloor at studio, 2024.
&#60;img width="2500" height="1668" width_o="2500" height_o="1668" data-src="https://freight.cargo.site/t/original/i/7b6bffb3f1850f1cb696f1eb5ae0b75bf8ea45d00496fc52a529117c000a6170/Falling-Towards-Another_10_web.JPG" data-mid="206745924" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/7b6bffb3f1850f1cb696f1eb5ae0b75bf8ea45d00496fc52a529117c000a6170/Falling-Towards-Another_10_web.JPG" /&#62;
	Diana Baker Smith in Falling Towards Another (A Score for the Void) at PICA, 2024.&#60;img width="2500" height="1668" width_o="2500" height_o="1668" data-src="https://freight.cargo.site/t/original/i/a1844f151bbda1d752d54c7ff33130051b362334c7446303915456920785ef82/Robert-Fielding_04_web.JPG" data-mid="206745938" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/a1844f151bbda1d752d54c7ff33130051b362334c7446303915456920785ef82/Robert-Fielding_04_web.JPG" /&#62;
	Robert Fielding in&#38;nbsp;KINARA MUNU TJINTU (MOON AND SUN) at John Curtin Gallery, 2024.&#60;img width="2500" height="1668" width_o="2500" height_o="1668" data-src="https://freight.cargo.site/t/original/i/b337a7cb4b3096d2d1414412a125d73b21d124b31b6e91d71226c6ef3a93f519/Light-Event_22_web.JPG" data-mid="206745942" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/b337a7cb4b3096d2d1414412a125d73b21d124b31b6e91d71226c6ef3a93f519/Light-Event_22_web.JPG" /&#62;


	Rebecca Bauman in Light Event at Carillon City for Perth Festival, 2024.&#60;img width="2500" height="1668" width_o="2500" height_o="1668" data-src="https://freight.cargo.site/t/original/i/5ca9f453fdb02c7f5d1c6957b8199bf7784f64d9d13e31b9b15f1da97019ec24/The-Rock-Pool_01_web.JPG" data-mid="206745956" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/5ca9f453fdb02c7f5d1c6957b8199bf7784f64d9d13e31b9b15f1da97019ec24/The-Rock-Pool_01_web.JPG" /&#62;
	Kieron Broadhurst, Jess Day, Pascale Giorgi, Oliver Hull, Jessee Lee Johns and Jack Wansbrough in The Rock Pool at Old Customs House, 2023.

	&#60;img width="2500" height="1827" width_o="2500" height_o="1827" data-src="https://freight.cargo.site/t/original/i/8f61ec6d41b257d17bbf8bce87f3bf96060cb55a05fd444bf37d7c1d1f8fe49f/The-Longest-Echo_05_web.JPG" data-mid="206745879" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/8f61ec6d41b257d17bbf8bce87f3bf96060cb55a05fd444bf37d7c1d1f8fe49f/The-Longest-Echo_05_web.JPG" /&#62;
	Mayma Awaida &#38;amp; Emilie Monty in The Longest Echo at Goolugatup Heathcote, 2024.



	&#60;img width="2500" height="1656" width_o="2500" height_o="1656" data-src="https://freight.cargo.site/t/original/i/fb36572354ca057281f3c27f3e60347fc2de6597e01ce6a709570cdf2e6d3337/Photography-by-Dan-McCabe_01_Web.JPG" data-mid="154998061" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/fb36572354ca057281f3c27f3e60347fc2de6597e01ce6a709570cdf2e6d3337/Photography-by-Dan-McCabe_01_Web.JPG" /&#62;
	Stefanos Tsivopoulos in No Confidence at Success, 2016.


	&#60;img width="2500" height="1672" width_o="2500" height_o="1672" data-src="https://freight.cargo.site/t/original/i/fa63df51d6e388440f9e063c7ab442613f451a46d1172e0058d13a8e41b9aaab/Photography-by-Dan-McCabe_15_Web.JPG" data-mid="154998070" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/fa63df51d6e388440f9e063c7ab442613f451a46d1172e0058d13a8e41b9aaab/Photography-by-Dan-McCabe_15_Web.JPG" /&#62;

	Guy Louden in WROL at BUS Projects, 2017.


	&#60;img width="2500" height="1669" width_o="2500" height_o="1669" data-src="https://freight.cargo.site/t/original/i/b43686309c81feb4c74d26d8594cd147ccdb5f650a252bc3b816fea3d9253c65/AGM_15_web.jpg" data-mid="154998075" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/b43686309c81feb4c74d26d8594cd147ccdb5f650a252bc3b816fea3d9253c65/AGM_15_web.jpg" /&#62;
	
	Tarryn Gill in A Gentle Misinterpretation at Fremantle Arts Centre, 2022.
&#60;img width="2500" height="2500" width_o="2500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/744872432cdae5ab22ac1ec76d9096e93f3d63fee59f4ba45ded8d8222a4552d/Photography-by-Dan-McCabe_13_Web.JPG" data-mid="154998255" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/744872432cdae5ab22ac1ec76d9096e93f3d63fee59f4ba45ded8d8222a4552d/Photography-by-Dan-McCabe_13_Web.JPG" /&#62;

	Greatest Hits in The Number You Have Reached&#38;nbsp;at Success, 2016.&#60;img width="2500" height="1668" width_o="2500" height_o="1668" data-src="https://freight.cargo.site/t/original/i/10294eb1d3e296cec4831fcf1d1e88cc1ce8e91d0d760290fbd058391435603f/TSD_06_Web.JPG" data-mid="154998258" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/10294eb1d3e296cec4831fcf1d1e88cc1ce8e91d0d760290fbd058391435603f/TSD_06_Web.JPG" /&#62;
	Mariaan Pugh &#38;amp; Desmond Taylor in Two Snakes Dreaming at Fremantle Arts Centre, 2022.&#60;img width="2500" height="1656" width_o="2500" height_o="1656" data-src="https://freight.cargo.site/t/original/i/001bd522194037e9102741109f3481b0fe50bfabf62304f9d4df1cda1f2bb61f/DA_15-web.jpg" data-mid="154998259" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/001bd522194037e9102741109f3481b0fe50bfabf62304f9d4df1cda1f2bb61f/DA_15-web.jpg" /&#62;
	David Attwood in Do It For Free at TRANSART, 2016.&#60;img width="2500" height="1675" width_o="2500" height_o="1675" data-src="https://freight.cargo.site/t/original/i/b6ebaa4cd25450d84a1eaea8bd01190fcc71f42116dd22c57d69d37be25a1dd8/Photography-by-Dan-McCabe_11_Web.JPG" data-mid="154998264" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/b6ebaa4cd25450d84a1eaea8bd01190fcc71f42116dd22c57d69d37be25a1dd8/Photography-by-Dan-McCabe_11_Web.JPG" /&#62;
	Jack Wansbrough &#38;amp; Oliver Hull in Orange Rain Glowing at Private Island, 2020.&#60;img width="2806" height="4190" width_o="2806" height_o="4190" data-src="https://freight.cargo.site/t/original/i/da40e7789985e331ca3282367f5083a175512d7e87b20df77d86140e2f617cec/Gui_18_web.jpg" data-mid="154998265" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/da40e7789985e331ca3282367f5083a175512d7e87b20df77d86140e2f617cec/Gui_18_web.jpg" /&#62;
	Guillermo Kramer in New Balance at Polizia, 2017.&#60;img width="1656" height="2500" width_o="1656" height_o="2500" data-src="https://freight.cargo.site/t/original/i/8dcc8732067847a247c78910d11fe4ce72fd2fe7e35b59520d5cf326c03646d0/Photography-by-Dan-McCabe_14_Web.JPG" data-mid="154998266" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/8dcc8732067847a247c78910d11fe4ce72fd2fe7e35b59520d5cf326c03646d0/Photography-by-Dan-McCabe_14_Web.JPG" /&#62;
	Patrick Bernatchez in Inanition: a Speculation on the End of Times at Success, 2016.&#60;img width="2500" height="2500" width_o="2500" height_o="2500" data-src="https://freight.cargo.site/t/original/i/8bbad1b16955dedc9790a086dae633f944ae8896e66da6f57f8ce021da8c7f00/Photography-by-Dan-McCabe_02_Web.JPG" data-mid="154998272" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/8bbad1b16955dedc9790a086dae633f944ae8896e66da6f57f8ce021da8c7f00/Photography-by-Dan-McCabe_02_Web.JPG" /&#62;
	MIchael Candy in The Number You Have Reached&#38;nbsp;at Success, 2016.&#60;img width="2500" height="1656" width_o="2500" height_o="1656" data-src="https://freight.cargo.site/t/original/i/02e0840bf8e9021af61c8dad772f4e183efdc2f4bd6961600373c430b1a4d346/Photography-by-Dan-McCabe_09_Web.JPG" data-mid="154998275" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/02e0840bf8e9021af61c8dad772f4e183efdc2f4bd6961600373c430b1a4d346/Photography-by-Dan-McCabe_09_Web.JPG" /&#62;
	Richard Mosse in Theatres at Perth International Art Festival, 2015.&#60;img width="2499" height="2500" width_o="2499" height_o="2500" data-src="https://freight.cargo.site/t/original/i/17fa2c41f817617f5a2b08a2502a62d188addc50614ffcb034684ce29c3dc9e6/Photography-by-Dan-McCabe_06_Web.JPG" data-mid="154998562" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/17fa2c41f817617f5a2b08a2502a62d188addc50614ffcb034684ce29c3dc9e6/Photography-by-Dan-McCabe_06_Web.JPG" /&#62;
	Fiona Hall in Wrong Way Time at the Australian Pavilion for the 56th Venice Biennale, 2015.&#60;img width="2500" height="1673" width_o="2500" height_o="1673" data-src="https://freight.cargo.site/t/original/i/c57a51e3bd026b49cb98ca7238a314e5e308ac1ce8c480583841da0cab2d1700/Photography-by-Dan-McCabe_08_Web.JPG" data-mid="154998306" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/c57a51e3bd026b49cb98ca7238a314e5e308ac1ce8c480583841da0cab2d1700/Photography-by-Dan-McCabe_08_Web.JPG" /&#62;

	Various artist in Hanging by a Thread&#38;nbsp;at Holmes à Court Gallery, 2020.</description>
		
	</item>
		
		
	<item>
		<title>Contact</title>
				
		<link>https://artdoc.com.au/Contact</link>

		<pubDate>Tue, 04 Oct 2022 07:00:02 +0000</pubDate>

		<dc:creator>artdoc</dc:creator>

		<guid isPermaLink="true">https://artdoc.com.au/Contact</guid>

		<description>
	
	Contact ––
Need pics of that new work? Exhibition coming up? General enquiry?
Flick us an email and we can talk shop.&#38;nbsp;︎︎︎︎


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